As a film composer and sound designer graduated from the Danish National Academy of Music and Sonic College, Josefine Skov merges sounds and music in textural and atmospheric compositions that span widely in terms of genre and dynamics. From ambient soundscapes and dreamy choir to brutal synthesizers and pulsating beats, she drifts between the acoustic and the electronic sonic worlds with an experimental and playful approach.
She explores alternative recording and processing techniques and uses unusual and homemade instruments. She often uses vocal elements in her compositions, either in a classical sense or as manipulated layers.
“With its ethereal mysteriousness combined with noisy elements and heavy beats, Kollision could be the soundtrack to a David Lynch film” – Seismograf review.